Last night was a lot of fun here at Chez Mowl: we had a gang over, a full menu of starters, mains, and desserts. Then a live show (at one point one neighbour knocked in and I thought she was going to ask me to keep it down. She didn't though: asked could she join us for a song and dance!) until the watershed at 2200, then we settled back to listen to Riikka sing the theme from Titanic backwards - note perfect. Harri, the bassist, had his laptop with him and we recorded Riikka singing and then asked could we play it back through the speakers to hear it in reverse/reverse: she N.ailed it. Absolutely amazing, wonderful, a once in a lifetime moment. I then walked her back to her front door and she hugged me goodnight.
Lovely - that was all I wanted for her: a chance to smile and laugh out loud, to sing and to dance.
When I went to bed at all hours this morning, I drifted off into a light sleep while reading. I awoke feeling stiff in my neck and wanted to lay down. I remembered a dream I had had: I was sitting in Christopher's kitchen on Pembroke road. Chris was born in South Africa to Irish parents but he was ran out of SA as a journalist working for Human Rights issues during Mandela's early days. He moved to Sweden and married a lovely Swedish lady who gave him three kids, one was the daughter: we were lovers.
Anyway, it was after Christmas dinner and an American writer and psychologist guest of Chris's called Sheldon Litt (who studied in Stockholm) was about to start his party piece. We all had to do something to earn our meal and I earned mine by grabbing and playing the bodhran off the kitchen wall and singing/speaking 'I Am Stretched On Your Grave' to my then lady friend, Christopher's daughter. The baton was missing so I used a wooden spoon instead.
Sheldon's turn came up and he asked for quiet: we all wondered what this strange man was about to perform - he licked his lips let the moment linger, and started.
It was the entire 1975 Grand N.ational Championship race from start to finish and all by rote: he memorized the British commentator's narration exactly as broadcast on the BBC and he did it in the style of casual and observant at first, then growing more intense, N.ames being dropped all over the gaff, and upped the pitch, higher and faster, until he was tearing along with his eyes closed and leading L’Escargot to the final jump and on to a massive victory. By the time we were on the final lap, the gang of us were cheering and our hands gripped the table's edge as the tension built. When L’Escargot finally crossed the line he was near the coronary stages - as were we. Cheers and whoops and yells! Absolutely amazing party piece, one of the rarest and most unusual performances I ever witnessed.
Had to share it before it drifts from my memory again.
What's ye're party pieces?